Two questions your audience will not be able to drop.

One asks how musicians who share no spoken language build one anyway. The other asks whether two holes in a 60,000-year-old bone were cut by a Neanderthal or left by a carnivore's teeth.


The problem

Two ways this booking goes wrong

The program has no through-line, so it plays as a sampler platter. Or the speaker knows the material cold and loses the room in nine minutes.

I have sat in both of those rooms. So has your audience.

The guide

Thirty years on the other side of that stage

I built the Pangean Orchestra around an Iraqi qanun, an Iranian santur and an Israeli tsimbl. Musicians came from the United States, Ireland, Brazil, India, Japan, Afghanistan and Iraq. Most had never met. We played Phoenix Symphony Hall in 2010, and USLOT Films left Los Angeles to document it.

I studied sabar in Dakar and taught at AfroRenn in Senegal. I have played the Sambadrome in Rio more than ten times. I have written for television since 2011. In 2022 I stood inside the cave at Divje Babe, in the space where the bone was found.



The plan

How it works

  1. Tell me the date and who is in the room.
  2. You get a reply within one business day with my availability, fee and a recommended format.
  3. I arrive early, give the talk, and stay for the questions.

The program lasts an evening. The question leaves with them.


PHOENIX SYMPHONY HALL 2010  ·  USLOT FILMS DOCUMENTARY  ·  BBC SPORT, DISCOVERY, ANIMAL PLANET  ·  10M+ DOCUMENTED STREAMS  ·  SABAR STUDY, DAKAR  ·  SAMBADROME, RIO